| Soap or horse | 13 |
| Soap ___ | 8 |
| Smetana's "The Bartered Bride," e.g. | 50 |
| Singspiel | 9 |
| Singing phantom's haunt | 27 |
| Sill's milieu | 17 |
| Show with much singing | 22 |
| Show with a spear-carrier | 25 |
| Setting for an aria | 19 |
| Setting for a Marx Brothers movie | 33 |
| Setting for a Marx Brothers film | 32 |
| Setting for a Marx Bros. film | 29 |
| Setting for a 1935 Marx Brothers farce | 38 |
| Setting for a 1935 Marx Brothers comedy | 39 |
| Seria or comique preceder | 25 |
| Salieri's "Tarare," e.g. | 38 |
| Rossini genre | 13 |
| Rock or soap follower | 21 |
| Rock or horse follower | 22 |
| Reason to buy Met tickets | 25 |
| Rameau work | 11 |
| Queen: "A Night at the ___" | 37 |
| Queen had a "Night" at one. | 37 |
| Puccini specialty | 17 |
| Puccini presentation | 20 |
| Puccini performance | 19 |
| Puccini output | 14 |
| Puccini offering | 16 |
| Price's metier. | 19 |
| Price production | 16 |
| Ponchielli's "La Gioconda," e.g. | 46 |
| Plural of opus | 14 |
| Place to see tall headgear | 26 |
| Place to find a C-note? | 23 |
| Philip Glass's "Waiting for the Barbarians," e.g. | 63 |
| Philip Glass's "Akhnaten," e.g. | 45 |
| Phantom's locale | 20 |
| Phantom's haunt? | 20 |
| Phantom milieu? | 15 |
| Peter Eötvös's "Angels in America," for one | 63 |
| Performance at the Met | 22 |
| Pavarotti milieu | 16 |
| Part of Mozart's art | 24 |
| Paris Métro station next to a music center | 45 |
| Paris landmark, with "L'" | 39 |
| Paris landmark (with ''L''') | 48 |
| Paris cultural center | 21 |
| Palais Garnier production | 25 |
| Paer product | 12 |
| P.D.Q. Bach's "The Stoned Guest," e.g. | 52 |
| Only the best rockers could also sing this | 42 |
| One may be seen from a box | 26 |
| One about Jerry Springer debuted in 2003 | 40 |
| Oft-subtitled performance | 25 |
| Offenbach offering | 18 |
| Occasion for glasses | 20 |
| Musical work that's often not in English | 44 |
| Musical spectacle | 17 |
| Musical melodrama, often | 24 |
| Music drama | 11 |
| Mozart specialty | 16 |
| Miss Sills's vehicle | 24 |
| Miss Horne's milieu | 23 |
| Mezzo-soprano's gig | 23 |
| Meyerbeer's specialty | 25 |
| Meyerbeer product | 17 |
| Meyerbeer composition | 21 |
| Met tragedy, perhaps? | 21 |
| Met shot | 8 |
| Met musical | 11 |
| Met field | 9 |
| Met doings | 10 |
| Met business | 12 |
| Menotti's "The Consul," e.g. | 42 |
| Massenet's forte | 20 |
| Massenet offering | 17 |
| Mascagni product | 16 |
| Marx Brothers setting | 21 |
| Marx Brothers locale | 20 |
| Lyric drama | 11 |
| Lulu or Zaza | 16 |
| Lulu or Louise | 18 |
| Locale for lorgnettes | 21 |
| Literally, "works". . . | 33 |
| Lincoln Center show | 19 |
| Lincoln Center presentation | 27 |
| Light or horse | 14 |
| Libretto subject | 16 |
| Leonie Rysanek's field | 26 |
| La Tosca or La Traviata | 23 |
| La Scala event | 14 |
| Kiri Te Kanawa's milieu | 27 |
| Kind of house or hat | 20 |
| Kind of house or glasses | 24 |
| Kind of hat or house | 20 |
| Kind of hat or glasses | 22 |
| Kind of glass or house | 22 |
| Kathleen BattleÂ's bag | 30 |
| John Adams production | 21 |
| Joan Sutherland's field | 27 |