| It may follow the first intermission | 36 |
| Intermission follower, perhaps | 30 |
| Intermission follower, maybe | 28 |
| Intermission ender, maybe | 25 |
| Broadway production segment, often | 34 |
| Brand of microwave popcorn | 26 |
| Whence the balcony scene in "Romeo and Juliet" | 56 |
| When to hear "O Romeo, Romeo! wherefore art thou Romeo?" | 66 |
| When the "Balcony Scene" occurs | 41 |
| When Rosencrantz and Guildenstern are introduced | 48 |
| When Romeo sees Juliet on the balcony | 37 |
| When Romeo marries Juliet | 25 |
| When Polonius says "brevity is the soul of wit" | 57 |
| When Othello arrives in Cyprus | 30 |
| When Macbeth slays Duncan | 25 |
| When Macbeth kills Duncan | 25 |
| When Macbeth gives his dagger soliloquy | 39 |
| When Macbeth claims to see a dagger | 35 |
| When Macbeth asks "Is this a dagger which I see before me?" | 69 |
| When Juliet says "Parting is such sweet sorrow" | 57 |
| When Jaques says, "All the world's a stage" in "As You Like It" | 87 |
| When Hamlet says "Words, words, words" | 48 |
| When Hamlet says "... the play's the thing ..." | 61 |
| When Hamlet declares "The play's the thing" | 57 |
| When Bloody Mary sings "Happy Talk" | 45 |
| The second half of "The Book of Mormon" | 49 |
| Popular microwave popcorn | 25 |
| Popcorn brand | 13 |
| Pop Secret rival | 16 |
| Play continuation | 17 |
| Part of a play after intermission, maybe | 40 |
| Part of Hamlet | 17 |
| Microwave popcorn brand with a movie themed name | 48 |
| Microwave popcorn brand | 23 |
| Last part of "Waiting for Godot" | 42 |
| It follows the first curtain | 28 |
| It ends with Lear heading out into stormy weather | 49 |
| In which the Balcony Scene takes place | 38 |
| In "Rent," it starts with "Seasons of Love" | 63 |
| Half of a musical second | 24 |
| Finale of many plays: 2 wds. | 28 |
| Final part of most Broadway musicals | 36 |
| Drama section | 13 |
| "A Chorus Line" doesn't have one | 46 |
| Conclusion of "Lohengrin" | 35 |
| When Romeo kills Tybalt, in "Romeo and Juliet" | 56 |
| When Hamlet says "To be or not to be" | 47 |
| When "Et tu, Brute?" is spoken | 40 |
| When Nora leaves Torvald in "A Doll's House" | 58 |
| When Macbeth first sees Banquo's ghost | 42 |
| When Iago acquires Desdemona's handkerchief | 47 |
| When Hamlet says “The lady doth protest too much, methinks” | 67 |
| When Hamlet gives his "To be, or not to be" soliloquy | 63 |
| When Hamlet delivers the "To be, or not to be" soliloquy | 66 |
| When Hamlet delivers his soliloquy | 34 |
| When Caesar asks "Et tu, Brute?" | 42 |
| When "To be, or not to be" is heard | 45 |
| Show ender, often | 17 |
| Play ender, often | 17 |
| Middle part of a Shakespearean play | 35 |
| Middle part of a Shakespeare play | 33 |
| Middle of a Shakespearean play | 30 |
| End of many plays | 17 |
| End of "Lohengrin" | 28 |
| "Our Town" finale | 27 |
| "August: Osage County" finale | 39 |
| Join the cast of | 16 |
| Be a cast member of | 19 |
| Muscle protein | 14 |
| Be part of the cast of | 22 |
| ___ self-defense | 16 |
| Protein in muscles | 18 |
| Be part of, as a film | 21 |
| Be a part of, as a film | 23 |
| Words with ''good faith'' or ''self-defense'' | 77 |
| Words before "self-defense" or "good faith" | 63 |
| Join the cast of, as a movie | 28 |
| Be in the cast of | 17 |
| " . . . ___ the living Present!": Longfellow | 54 |
| ___ good faith | 14 |
| __ self-defense | 15 |
| Words with "self-defense" or "good faith" | 61 |
| Words before self-defense | 25 |
| Words before good faith | 23 |
| Perform as a play | 18 |
| Join the cast, as of a movie | 28 |
| Have a role | 11 |
| Have a cast credit for | 22 |
| Globulin in muscles | 19 |
| Globulin | 8 |
| Form the cast of | 16 |
| Be part of, as a play | 21 |
| Be among the cast of | 20 |
| Be a part of, as a play | 23 |
| Be a part of, as a picture | 26 |
| "___ the living Present!": Longfellow | 47 |
| --- self-defense | 16 |
| Veep's possible role | 24 |
| 25th Amendment phrase | 21 |
| Malfunctioning | 14 |