| "__ built a railroad ..." | 35 |
| ''___ Loved'' (Vic Damone tune) | 47 |
| Rarely | 6 |
| Very seldom | 11 |
| Very rarely | 11 |
| Sometimes, probably | 19 |
| Practically never | 17 |
| Low entry on a frequency chart | 30 |
| Caldwell-Kern song: 1923 | 24 |
| At a certain interval | 21 |
| Susann novel | 12 |
| Steamy 1973 best seller | 23 |
| Novel by Susann: 1973 | 21 |
| Jacqueline Susann novel, and the problem with some of the answers in this puzzle | 80 |
| Jacqueline Susann novel | 23 |
| Jacqueline Susann best seller | 29 |
| 1973 Jacqueline Susann best-selling novel | 41 |
| A beginning | 11 |
| Fairy tale's start | 22 |
| "Mon ___" (Tati film) | 31 |
| Rouen relative | 14 |
| Tante's husband | 19 |
| Frère de la mère | 22 |
| Père's frère | 22 |
| Parisian relative | 17 |
| "Mon ___," Tati film | 30 |
| ''Mon ___'' (Tati film) | 39 |
| Tati classic "Mon ---" | 32 |
| Tante's mate | 16 |
| Sibling of a mère or père | 31 |
| Jacques Tati's "Mon ___" | 38 |
| Frère of a mère or père | 32 |
| Frère du père | 19 |
| Frère de ma mère | 22 |
| Frère de la père | 22 |
| Dad's brother, in Bordeaux | 30 |
| Aunt's spouse, in France | 28 |
| Aunt's husband, in France | 29 |
| "Mon ___" (Jacques Tati film) | 39 |
| "Mon ___" (1958 French comedy) | 40 |
| "Mon ___," 1958 Tati film | 35 |
| ''Mon ___'' (French comedy) | 43 |
| ''Mon ___ d'Amerique'' (Depardieu film) | 59 |
| Place for a happy meteorologist? | 32 |
| Happy beyond words | 18 |
| Where to be happy | 17 |
| Really happy, as a meteorologist? | 33 |
| Perfectly timed | 15 |
| When expected | 13 |
| At the right time | 17 |
| With perfect timing | 19 |
| When prompted | 13 |
| Just when expected | 18 |
| Timed perfectly | 15 |
| Opportunely | 11 |
| At the proper time | 18 |
| As predicted | 12 |
| When the script requires | 24 |
| Timely way to enter | 19 |
| Not early or late | 17 |
| How actors should appear | 24 |
| At just the right time | 22 |
| When the script demands | 23 |
| When the script calls for it | 28 |
| When actors should speak | 24 |
| Just as planned | 15 |
| Just as expected | 16 |
| How some people can cry | 23 |
| How actors can cry | 18 |
| Good way to enter | 17 |
| Without an awkward pause | 24 |
| With precise timing | 19 |
| When the script indicates | 25 |
| When the baton indicates | 24 |
| When directed | 13 |
| Well-timed, as an entrance | 26 |
| Way to enter | 12 |
| Ready, as an actor | 18 |
| Punctual, as for a script | 25 |
| Promptly, in a way | 18 |
| Precisely when called for | 25 |
| Perfectly timed, dramatically | 29 |
| One way to enter | 16 |
| Neither early nor late | 22 |
| In a timely way | 15 |
| How to enter a scene properly | 29 |
| How some can cry | 16 |
| How orchestra musicians respond | 31 |
| How orchestra members enter | 27 |
| How actors respond | 18 |
| How actors enter | 16 |
| How actors come in | 18 |
| At the right moment | 19 |
| At the proper moment | 20 |
| At the designated time, to an actor | 35 |
| At precisely the right moment | 29 |
| At exactly the right time | 25 |
| As if scripted | 14 |
| As if it were scripted | 22 |
| As directed | 11 |