| Whom Scarpia double-crosses | 27 |
| Tragic Puccini heroine | 22 |
| Titular opera character who jumps to her death at the end | 57 |
| Titular opera character who is a singer | 39 |
| Title heroine of a Puccini opera | 32 |
| Teatro Costanzi debut of 1900 | 29 |
| Teatro Constanzi premiere of 1900 | 33 |
| She stabs Scarpia | 17 |
| Scarpia's nemesis | 21 |
| Scarpia's killer, in a Puccini opera | 40 |
| Role for Renata Tebaldi | 23 |
| Role first sung by Hariclea Darclée | 38 |
| Raven-haired Puccini heroine | 28 |
| Puccini's titular soprano | 29 |
| Puccini's Floria ___ | 24 |
| Puccini's Floria | 20 |
| Puccini work: 1900 | 18 |
| Puccini tragedy based on play by Sardou | 39 |
| Puccini title soprano | 21 |
| Puccini opera with the aria "Vissi d'arte" | 56 |
| Puccini opera set in Rome | 25 |
| Puccini opera or its heroine | 28 |
| Puccini masterwork | 18 |
| Puccini girl | 12 |
| Puccini favorite | 16 |
| Opera with the aria "Vissi d'arte" | 48 |
| Opera with the aria "Recondita armonia" | 49 |
| Opera with the aria "E lucevan le stelle" | 51 |
| Opera title character who hurls herself from a parapet | 54 |
| Opera that climaxes with a firing squad | 39 |
| Opera set in Rome in 1800 | 25 |
| Opera set in 1800 Rome | 22 |
| Opera premiere: Rome, 1900 | 26 |
| Opera of 1900 set in 1800 | 25 |
| Opera debut of 1900 | 19 |
| Opera character who sings “Vissi d’arte” | 52 |
| Opera character who jumps to her death in the end | 49 |
| Opera character who commits suicide by jumping off a parapet | 60 |
| Opera about a diva | 18 |
| Object of Cavaradossi's affection | 37 |
| Notable role for a soprano | 26 |
| Musical premiere of 1900 | 24 |
| Mario's Floria | 18 |
| Mario's beloved | 19 |
| Mario Cavaradossi's lover | 29 |
| Its title character is an opera singer | 38 |
| Heroine of a Puccini opera | 26 |
| Floria of opera | 15 |
| Floria ___, Puccini title role | 30 |
| Floria ___, opera lead role | 27 |
| Floria ___ (opera heroine) | 26 |
| Floria ___ (character performed by Maria Callas) | 48 |
| Fictional diva Floria | 21 |
| Famed Leontyne Price role | 25 |
| Debut of 1/14/1900 | 18 |
| Cavaradossi's love, in opera | 32 |
| Cavaradossi's love in a Puccini opera | 41 |
| Carreras' Met debut | 23 |
| 1900 Puccini opera | 18 |
| "O dolci mani" opera | 30 |
| How architects draw plans | 25 |
| How most maps are drawn | 23 |
| Like most maps | 14 |
| How models may be made | 22 |
| How maps are drawn | 18 |
| How many models are built | 25 |
| How architects' models are built | 36 |
| How architects draw | 19 |
| Region of central Italia | 24 |
| Firenze's region | 20 |
| Maestro Arturo | 14 |
| Longtime NBC Symphony conductor | 31 |
| Principal conductor at La Scala in 1898 | 39 |
| Onetime New York Philharmonic leader | 36 |
| On the podium did he say, "O, I can't sin!"? | 58 |
| Memorable maestro: 1867–1957 | 35 |
| Where the owl and the pussycat went, in verse | 45 |
| Where Bobby Shaftoe went | 24 |
| Where captains go | 17 |
| Words repeated at the start of the "Sailor's Song" | 64 |
| Put __: sail | 12 |
| "Bobby Shaftoe's gone ___" | 40 |
| Words repeated in the "Sailor's Song" | 51 |
| Words repeated after "I shall no more," in "The Tempest" | 76 |
| Where the owl and the pussycat went, in a poem | 46 |
| Where the Owl and the Pussycat went | 35 |
| Where salts go | 14 |
| Where navies go | 15 |
| Where many boats head | 21 |
| Where destroyers go | 19 |
| Where clippers go | 17 |
| Where an owl and a cat went | 27 |
| Where a vessel may go | 21 |
| Put out ___ (start a voyage) | 28 |
| Put -- (sail) | 13 |
| Put ___ (shove off) | 19 |
| Put ___ (set sail) | 18 |
| Put ___ (sail away) | 19 |
| Out ___ (cruising) | 18 |
| Kipling's "From Sea ___" | 38 |