| Shabby and untidy | 17 |
| Shabby and squalid | 18 |
| Run-down, as a bar | 18 |
| Not yet gentrified | 18 |
| Not really nice | 15 |
| Not at all swank | 16 |
| Low-rent, maybe | 15 |
| Like watermelons | 16 |
| Like rye, usually | 17 |
| Like pomegranates | 17 |
| Like many film-noir settings | 28 |
| Like dive bars | 14 |
| Like a disreputable hotel | 25 |
| Grody, so to speak | 18 |
| Five-star opposite? | 19 |
| Far from swanky | 15 |
| Far from swank | 14 |
| Down at heel | 12 |
| Down-at-the-heel toxic assets? | 30 |
| Run-down old Roman truck? | 25 |
| "Now you ___ ..." (magician's comment about disappearing cards) | 77 |
| "I call 'em as I ___" | 35 |
| One with a trained eye | 22 |
| Be on the same wave-length | 26 |
| Be in complete accord | 21 |
| Agree (Isaiah 52:8) | 19 |
| Deem proper | 11 |
| Consider necessary | 18 |
| Think proper | 12 |
| Think it right | 14 |
| Think advisable | 15 |
| Look upon as feasible | 21 |
| Judge to be suitable | 20 |
| Deem necessary | 14 |
| Deem it appropriate | 19 |
| Decide is best | 14 |
| Consider it proper | 18 |
| Believe it necessary | 20 |
| Believe appropriate | 19 |
| Go out with the star of "The Wizard of Oz"? | 53 |
| Folk singer Pete | 16 |
| "Where Have All the Flowers Gone?" singer | 51 |
| Folksinger Pete | 15 |
| Folk legend Pete | 16 |
| "If I Had a Hammer" co-writer | 39 |
| ''If I Had a Hammer'' songwriter | 48 |
| Singer Pete of The Weavers | 26 |
| Singer Pete | 11 |
| Rock and Roll Hall of Fame inductee of 1996 | 43 |
| Poet Alan or singer Pete | 24 |
| Poet Alan | 9 |
| Pete the folkie | 15 |
| Pete or Peggy of folk | 21 |
| Pete of folk-singing fame | 25 |
| Noted folk singer | 17 |
| Folksinger/songwriter Pete | 26 |
| Folk/protest icon Pete | 22 |
| Composer of the song "Guantanamera" | 45 |
| Big name in folk music | 22 |
| "Where Have All the Flowers Gone?" singer/songwriter Pete | 67 |
| "If I Had a Hammer" cowriter | 38 |
| "Guantanamera" composer | 33 |
| ''Where Have All the Flowers Gone'' writer | 58 |
| Folk singer Pete and his poet uncle Alan, for two | 49 |
| Folk singer and family | 22 |
| "Turn! Turn! Turn!" songwriter and others | 51 |
| "Pete ___ Greatest Hits" (1967 release) | 49 |
| Smokey Robinson "Just to ___" | 39 |
| Rodgers and Hart's "Wait Till You ___" | 52 |
| "But to ___ was to love . . . ": Burns | 48 |
| 'Now, you listen!' | 26 |
| First words of a reprimand | 26 |
| "Now listen!" | 23 |
| "Listen, pal!" | 24 |
| "I say, old boy!" | 27 |
| Words before a reprimand | 24 |
| Start of a reprimand | 20 |
| Start of a chewing out | 22 |
| Reprimand lead-in | 17 |
| “Listen, you!” | 22 |
| Indignant shout | 15 |
| "You pay attention!" | 30 |
| "You listen to me" | 28 |
| "Whoa ..." | 20 |
| "Wait one cotton-pickin' minute!" | 47 |
| "Oh, for heaven's sake!" | 38 |
| "Now, you listen . . ." | 33 |
| "Now, look ..." | 25 |
| "Now, listen!" | 24 |
| "Now, listen to me ..." | 33 |
| "Now, listen ..." | 27 |
| "Now, just hold on a sec" | 35 |
| "Now, hold on!" | 25 |
| "Now you listen to me!" | 33 |
| "Now wait just a moment ..." | 38 |
| "Now listen ..." | 26 |
| "Look, sonny boy ..." | 31 |
| "Listen to me!" | 25 |
| "Just one darn minute!" | 33 |
| "Hey, just a second!" | 31 |