| "--- a Stranger" (1955) | 33 |
| "--- a Stranger" (1955 film) | 38 |
| "_____ a Stranger" (1955 film) | 40 |
| "___ a Stranger" (Sinatra film) | 41 |
| "___ a Stranger" (Olivia de Havilland film) | 53 |
| "___ a Stranger," 1955 movie | 38 |
| ''___ a Stranger'' (Sinatra film) | 49 |
| ____ a Stranger | 15 |
| __ much (less) | 14 |
| "___ Stranger" | 24 |
| "___ Stranger," Kramer film | 37 |
| "___ Stranger," 1955 movie | 36 |
| "___ Stranger," 1955 film | 35 |
| Less competent | 14 |
| Strapped, financially | 21 |
| Other than indicated | 20 |
| Words describing a bit player | 29 |
| Food critic's criticism | 27 |
| Blandness | 9 |
| What a lover of kitsch has | 26 |
| Lack of discernment | 19 |
| Have ___ for (dislike) | 22 |
| Flaw for a recipe | 17 |
| Extreme blandness | 17 |
| Characteristic of bland food and bad dressers | 45 |
| Beer drinker's terse critique | 33 |
| A love of kitsch, e.g. | 22 |
| A lack of refinemenT | 20 |
| An aversion to | 14 |
| Morissette "Flavors of Entanglement" song | 51 |
| Nothing so far | 14 |
| "Check back later" | 28 |
| Polite response to "Thank you" | 40 |
| Nohow | 5 |
| Favorable response to ''Do you mind?'' | 54 |
| "Thank you" response | 30 |
| 'Don't mention it' | 30 |
| '89 Status Quo single | 25 |
| Only if it's worth the trade-off | 36 |
| Takes minutes | 13 |
| Puts on the staff? | 18 |
| Draws musical symbols | 21 |
| Writes the score for | 20 |
| Writes on music paper | 21 |
| Writes between the lines? | 25 |
| Takes meeting minutes | 21 |
| Adds marginal comments | 22 |
| Adds extra info to | 18 |
| System of symbols | 17 |
| "Stet," for example | 29 |
| Tablature is a type | 19 |
| System of signs or symbols | 26 |
| System of representation | 24 |
| Marginal reference | 18 |
| Specialists in musical details | 30 |
| "None whatsoever" | 27 |
| Capote's least favorite road sign? | 38 |
| How much I care if I couldn't care less | 43 |
| "He spoke ___ but went straight . . . " | 49 |
| "Pretty darn good" | 28 |
| "I can see you on a cold day and you're like a cloud...I'm impressed..." | 90 |
| Never gone | 10 |
| "Hey, wait a minute!" | 31 |
| Failing to be clear-cut | 23 |
| ___ a long shot | 15 |
| __ a long shot | 14 |
| "That's way off" | 30 |
| How to score in basketball from close up? | 41 |
| "No, hardly" | 22 |
| Definitely out of the question | 30 |
| Definite denial | 15 |
| "Wa-a-ay off!" | 24 |
| Against one's will | 22 |
| Mystery book inspired by Matthew? | 33 |
| Be apathetic | 12 |
| Harboring doubt | 15 |
| Like some bedposts | 18 |
| Record-keeping cuts | 19 |
| Arrow parts | 11 |
| V-shaped slits | 14 |
| Scoring records | 15 |
| Record of an imaginary success? | 31 |
| Full of V-shaped cuts | 21 |
| Cut irregularly | 15 |
| Weather report on the range | 27 |
| "That's hardly amusing" | 37 |
| Unfair, to Brits | 16 |
| Unsuited to, as a job applicant | 31 |
| Actual instructions for a remote control | 40 |
| Contrary to good manners | 24 |
| Socially improper | 17 |
| Unacceptable to polite society | 30 |
| Still in the oven, say | 22 |
| Half-baked, maybe | 17 |
| Afoul of proper etiquette | 25 |
| Beware of that astronaut: He's ___ | 38 |
| ___ behind the ears | 19 |
| Still in abeyance | 17 |
| End of the quip and its author | 30 |
| 1001 | 4 |