| An anagram for asset | 20 |
| Took, as an exam | 16 |
| Had done, as a portrait | 23 |
| Watched, as the kids | 20 |
| Took, as a test | 15 |
| Took, as a final | 16 |
| Obliged a portraitist | 21 |
| Had done, as one's portrait | 31 |
| Didn't go out | 17 |
| Didn't leave the house | 26 |
| Like an appetite that can be fulfilled | 38 |
| Filled readily | 14 |
| Stuff to capacity | 17 |
| Fill beyond capacity | 20 |
| Have quite enough for | 21 |
| Be quite enough for | 19 |
| Composer Erik | 13 |
| "Socrate" composer | 28 |
| French composer Erik | 20 |
| "Gymnopédies" composer | 35 |
| "Mercure" composer | 28 |
| "Socrate" composer Erik | 33 |
| Composer of "furniture music" | 39 |
| ''Socrate'' composer Erik | 41 |
| Composer of gnossiennes | 23 |
| Composer Erik ___ | 17 |
| "Three Pieces in the Shape of a Pear" composer | 56 |
| "Sarabandes" composer | 31 |
| "Gymnopédies" composer Erik | 40 |
| "Genuine Flabby Preludes (for a dog)" composer | 56 |
| Socrate composer | 19 |
| Impressionist composer Erik | 27 |
| His "Parade" included parts for typewriter, foghorn and rattle | 72 |
| He wrote "Three Pear-Shaped Pieces" to answer criticism that his music lacked form [SEE NOTE ABOVE] | 110 |
| French composer: 1866–1925 | 33 |
| French composer of many piano works | 35 |
| French composer of "Vexations" | 40 |
| French avant-garde composer | 27 |
| Figure in the French avant-garde | 32 |
| Debussy contemporary Erik | 25 |
| Contemporary and compatriot of Debussy | 38 |
| Composer who scored for guns and typewriters | 44 |
| Composer who influenced Ravel | 29 |
| Composer of "Socrate" | 31 |
| Composer of "Mercure" | 31 |
| Composer of "Gymnopédies" | 38 |
| Composer from the French avant-garde | 36 |
| Composer Erik: 1866–1925 | 31 |
| Composer Erik of the nearly unplayable "Vexations" | 60 |
| Cocteau collaborator | 20 |
| Avant-garde composer Erik | 25 |
| Abstract composer Erik | 22 |
| "Vexations" composer Erik | 35 |
| "Sports et Divertissements" composer | 46 |
| "Sonatine Bureaucratique" composer | 44 |
| "Relâche" composer | 31 |
| "Parade" composer | 27 |
| "Ogives" composer | 27 |
| "Le Picador est mort" composer | 40 |
| "Gnossiennes" composer | 32 |
| "Danses gothiques" composer | 37 |
| Help from a French composer? | 28 |
| Glossy | 6 |
| Gown material | 13 |
| Jammed with the band | 20 |
| Subbed (for) | 12 |
| Fancy sheet material | 20 |
| Audited | 7 |
| Substituted (for) | 17 |
| Robe material | 13 |
| Luxurious sheet material | 24 |
| Fine material | 13 |
| Fabric in an Ellington title | 28 |
| Deluxe sheet fabric | 19 |
| Subbed | 6 |
| Smooth paint finish | 19 |
| Luxurious material | 18 |
| Fabric for a bride | 18 |
| Ballet slipper fabric | 21 |
| The Moody Blues' "Nights in White ___" | 52 |
| Participated temporarily, as with a band | 40 |
| Participated temporarily | 24 |
| Material for some pillows | 25 |
| Luxurious bedding material | 26 |
| Lush fabric | 11 |
| Glossy, smooth material | 23 |
| Glossy gown material | 20 |
| Evening-gown material | 21 |
| Ellington's "___ Doll" | 36 |
| Elegant dress material | 22 |
| Deluxe sheet material | 21 |
| Claudel's "The ___ Slipper" | 41 |
| Certain sheet material | 22 |
| Bridal gown fabric | 18 |
| Basie's "--- Doll" | 32 |
| Audited, with "on" | 28 |
| Audited, as a class | 19 |
| Attended a meeting | 18 |
| "Nights in White ___" | 31 |
| Wedding dress material, perhaps | 31 |