| Text | Length |
| Not hurting for cash | 20 |
| Determine, as limits | 20 |
| Combo's offering | 20 |
| Collector's coup | 20 |
| Backlot construction | 20 |
| 6-3, e.g., in tennis | 20 |
| Tea-serving ensemble | 20 |
| Osiris's brother | 20 |
| Mount, as a gemstone | 20 |
| Key grip's place | 20 |
| Hollywood soundstage | 20 |
| Game-match connector | 20 |
| Firmed up, as a date | 20 |
| Establish, as a pace | 20 |
| Definitely determine | 20 |
| Broadway production? | 20 |
| Between ready and go | 20 |
| Australian Open unit | 20 |
| A race-starting word | 20 |
| 7-5, e.g., in tennis | 20 |
| 6-4, e.g., in tennis | 20 |
| "All ___?" | 20 |
| ___ new world record | 20 |
| Plant or animal part | 20 |
| Caterpillar bristles | 20 |
| Caterpillar features | 20 |
| Fixed on, as a price | 20 |
| Reversals of fortune | 20 |
| Do a night court job | 20 |
| Medit. vessels: Var. | 20 |
| Words to a bartender | 20 |
| Expected to start on | 20 |
| Adam's third son | 20 |
| Thomas of timepieces | 20 |
| Meyers or MacFarlane | 20 |
| Thomas of the clocks | 20 |
| First name in clocks | 20 |
| Actor Green or Rogen | 20 |
| Space-scanning proj. | 20 |
| Not on the perimeter | 20 |
| Arrive, as the night | 20 |
| Fisherman's gear | 20 |
| It's well-suited | 20 |
| First American saint | 20 |
| Naturalist Ernest T. | 20 |
| Determined to follow | 20 |
| Bit of stage scenery | 20 |
| Nonnegotiable charge | 20 |
| Complete collections | 20 |
| Studio constructions | 20 |
| Theatrical trappings | 20 |
| Mounts, as a diamond | 20 |
| Venn-diagram circles | 20 |
| Square-dance figures | 20 |
| Hollywood structures | 20 |
| Hardens, as concrete | 20 |
| Broadway backgrounds | 20 |
| You may film on them | 20 |
| Works on, as a break | 20 |
| Where props are seen | 20 |
| Vanquishes, to Goren | 20 |
| They may be complete | 20 |
| Puts down, in bridge | 20 |
| Prepares for a spike | 20 |
| Hollywood workplaces | 20 |
| Curls one's hair | 20 |
| Congeals, as gelatin | 20 |
| Metal parts fastener | 20 |
| Mechanical fasteners | 20 |
| Arrives, as darkness | 20 |
| Prepares, as a sloop | 20 |
| Plays matchmaker for | 20 |
| Rooted plant cutting | 20 |
| Seat for two or more | 20 |
| Parlor item, perhaps | 20 |
| Living room purchase | 20 |
| Irish or English dog | 20 |
| Type or pin follower | 20 |
| English or Irish ___ | 20 |
| Hunter's helpers | 20 |
| Establish a standard | 20 |
| Provide a background | 20 |
| Sights before nights | 20 |
| Word with in or down | 20 |
| One at Roanoke, e.g. | 20 |
| Voortrekker, for one | 20 |
| Frontier homesteader | 20 |
| Roanoke Island group | 20 |
| Reaches an agreement | 20 |
| Start in on, as work | 20 |
| What a poem might be | 20 |
| Incriminating scheme | 20 |
| Pas ___ (solo dance) | 20 |
| Pas ___ (dance solo) | 20 |
| Ballet's pas ___ | 20 |
| Yertle's creator | 20 |
| The Grinch's Dr. | 20 |
| Horton's creator | 20 |
| Dr. of cartoon books | 20 |
| Linksman Ballesteros | 20 |
1281474128157012815751281577128158312815861281650128170712817201281735128174612817631281771128177812817861281815128182112818271281838128184012818421281853128186912819391281992128200812820661282085128209512821211282122128213412821471282186128219512822221282265128228912823701282425128243312824511282471128250412825231282538128259912826111282613128262712826391282678128269612827021282714128271512827271282737128273812827401282748128276312828021282808128285012828781282881128297012829721282988128301812830381283053128310712831291283132128317412831871283208128323012832451283247128327612832891283340128334112833471283352128337212834261283439128349012835191283520128352312835601283564128359912836081283666