| Text | Length |
| Lost one's traction | 23 |
| What career finally did | 23 |
| Hit the ground running? | 23 |
| Fell, as interest rates | 23 |
| One way to reach a base | 23 |
| What Derek Trucks plays | 23 |
| Race to a base, perhaps | 23 |
| Elude the tag, in a way | 23 |
| Base coachÂ’s urging | 23 |
| Musical request of 1889 | 23 |
| Fast pitch with a curve | 23 |
| They took care of roots | 23 |
| Calculator predecessors | 23 |
| Travel-lecture standbys | 23 |
| They've been framed | 23 |
| Neighbors of swing sets | 23 |
| Arrives at horizontally | 23 |
| Went under the tag, say | 23 |
| Like glass doors, often | 23 |
| Like a poor pickpocket? | 23 |
| County south of Donegal | 23 |
| ___ to none (long odds) | 23 |
| Like many runway models | 23 |
| Hagfish by another name | 23 |
| ___ down (sheds weight) | 23 |
| Pickens and Summerville | 23 |
| ___ down (loses weight) | 23 |
| Like snails' trails | 23 |
| Like a slug's trail | 23 |
| Cast carrier, sometimes | 23 |
| Tossers, usually of mud | 23 |
| Engage in smear tactics | 23 |
| Old stoning instruments | 23 |
| Word with cover or knot | 23 |
| Shower or tongue mishap | 23 |
| It's awful in pink! | 23 |
| Pink or pillow follower | 23 |
| Experience back trouble | 23 |
| It meant a lot to Freud | 23 |
| Difficult to hold on to | 23 |
| Klutzy pageant entrant? | 23 |
| Loses one's footing | 23 |
| Inadvertent revelations | 23 |
| Freudian mistakes, e.g. | 23 |
| Pink ones are unwelcome | 23 |
| Loses one's balance | 23 |
| Sneaks past the doorman | 23 |
| Backwash of an aircraft | 23 |
| Revealing skirt feature | 23 |
| Buttonhole, essentially | 23 |
| Turtle's eye, often | 23 |
| Revealing dress feature | 23 |
| Open with a paper knife | 23 |
| Cat's eye, at times | 23 |
| Buttonhole, for example | 23 |
| Alluring skirt features | 23 |
| Uses a letter opener on | 23 |
| Dieter's cut of pie | 23 |
| Guardian Angels founder | 23 |
| ___-mo (replay feature) | 23 |
| ___-mo (film technique) | 23 |
| ___-Blo (brand of fuse) | 23 |
| __ Poke (caramel candy) | 23 |
| ___-Kettering Institute | 23 |
| U.S. painter: 1871-1951 | 23 |
| Kettering's partner | 23 |
| -- -Kettering Institute | 23 |
| London's ___ Square | 23 |
| Trendy square in London | 23 |
| Mr. of a Joe Orton play | 23 |
| Brit. Museum benefactor | 23 |
| Former theatrical lifts | 23 |
| Oscar Madison, famously | 23 |
| Was doubly sentimental? | 23 |
| Neatniks' opposites | 23 |
| Fruit of the blackthorn | 23 |
| Fruit for flavoring gin | 23 |
| ___ gin fizz (cocktail) | 23 |
| Fruit similar to a plum | 23 |
| Tart fruit used for gin | 23 |
| Shrub with a sour fruit | 23 |
| Liqueur-flavoring fruit | 23 |
| Trudge through the mire | 23 |
| March through mud, e.g. | 23 |
| Walk heavily and firmly | 23 |
| Plod in paludous places | 23 |
| Advertising catchphrase | 23 |
| Advertisers' output | 23 |
| Trudges through the mud | 23 |
| Plods in paludal places | 23 |
| Moves through mud, e.g. | 23 |
| Type of replay, briefly | 23 |
| Sports replay technique | 23 |
| Film technique, briefly | 23 |
| Sports-replay technique | 23 |
| Replay speed, for short | 23 |
| Playback speed, briefly | 23 |
| Kind of replay, briefly | 23 |
| John B of song, for one | 23 |
| America's Cup craft | 23 |
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