| English historian: 1834-1902 | 28 |
| ___ impulse (be imprudent) | 26 |
| Moss Hart's autobiography | 29 |
| Moss Hart autobiography | 23 |
| When Lear banishes Cordelia | 27 |
| Overture follower, often | 24 |
| It starts after the overture | 28 |
| "Show time" time | 26 |
| All the stage is his world | 26 |
| John Wilkes Booth, e.g. | 23 |
| Washington or Ford, e.g. | 24 |
| Student of Lee Strasberg | 24 |
| One who needs direction | 23 |
| One pleased with long lines? | 28 |
| One for whom play means work | 28 |
| James Lipton interviewee | 24 |
| Walken or Danson, e.g. | 22 |
| Stage coach user, possibly | 26 |
| Spencer Tracy, for one | 22 |
| Sir Henry Irving, e.g. | 22 |
| She's just playing | 22 |
| Shakespearean performer, e.g. | 29 |
| Shakespearean performer | 23 |
| Person who may be made-up? | 26 |
| One with a stage coach | 22 |
| One who's directed | 22 |
| One concerned with lines | 24 |
| His parts may be funny or sad | 29 |
| He might play the sticks | 24 |
| Gary Oldman or Paul Newman | 26 |
| Forrest or Woods, e.g. | 22 |
| Donald Sutherland, for one | 26 |
| Certain Juilliard grad | 22 |
| Burton or Taylor e.g. | 22 |
| Apt anagram of CO-STAR - S | 26 |
| All the stage is their world? | 29 |
| All the stage is their world | 28 |
| They're seen in casts | 25 |
| They're real troupers | 25 |
| They respond to role calls | 26 |
| They practice blocking | 22 |
| They might get paid to play | 27 |
| They may be seen in cameos | 26 |
| The "A" in SAG | 24 |
| The "A" in S.A.G. | 27 |
| Fox and Coyote, for two | 23 |
| Bob Hope and Bing Crosby | 24 |
| ____ Equity (stage group) | 25 |
| Participate in charades | 23 |
| Illustrate by gestures | 22 |
| Caster's selection | 22 |
| Demi or Julianne Moore | 22 |
| Arthur or Monroe, e.g. | 22 |
| "Hamlet" quintet | 26 |
| Follower of the Gospels | 23 |
| New Testament chronicle | 23 |
| Takes the bull by the horns | 27 |
| Book of apostolic deeds | 23 |
| It has its place in the Bible | 29 |
| Gospels' follow-up | 22 |
| Doesn't just sit there | 26 |
| Does a thespian's turn | 26 |
| "Macbeth" quintet | 27 |
| "Hamlet" has five | 27 |
| Gives the appearance of | 23 |
| No play is without them | 23 |
| Book between John and Romans | 28 |
| The ___ of the Apostles | 23 |
| Part of the New Testament | 25 |
| Does a thespian's job | 25 |
| Congressional business | 22 |
| Book after the Gospels | 22 |
| Bible book after the Gospels | 28 |
| "Hamlet" fivesome | 27 |
| "Aida" segments | 25 |
| What some bills become | 22 |
| What rocker does in video | 25 |
| Volstead and Homestead | 22 |
| Vaudeville presentations | 24 |
| Vanishing and magic, e.g. | 25 |
| These fill the slots on bill | 28 |
| The ___, New Testament book | 27 |
| Plies a thespian's trade | 28 |
| Performs in summer stock | 24 |
| Luke's second book | 22 |
| John's biblical follower | 28 |
| It's before Romans | 22 |
| It follows the last Gospel | 26 |
| It follows the Gospels | 22 |
| It comes before Romans | 22 |
| Intermissions separate them | 27 |
| Gives the appearance of being | 29 |
| Gets off one's duff | 23 |
| Elvis and The Beatles e.g. | 27 |
| Doesn't dilly-dally | 23 |
| Does a few lines, perhaps | 25 |
| Creates a lot of drama? | 23 |
| Congressional productions | 25 |
| Congressional considerations | 28 |
| Comics' performances | 24 |