| Text | Length |
| They're sniffed at | 22 |
| They're in the air | 22 |
| Targets of baking soda | 22 |
| Nose-wrinkling stimuli | 22 |
| Locker-room emanations | 22 |
| Locker room emanations | 22 |
| Pigs out (on), briefly | 22 |
| Takes too much X, e.g. | 22 |
| Cases for E.M.T.'s | 22 |
| ___ bodlkins, old oath | 22 |
| Penelope's husband | 22 |
| Far-ranging adventures | 22 |
| Etymologist's ref. | 22 |
| 20-vol. reference work | 22 |
| Philologist's ref. | 22 |
| Multi-volume ref. work | 22 |
| It comes in many vols. | 22 |
| Hefty reference: Abbr. | 22 |
| Definitive def. source | 22 |
| Reference works: Abbr. | 22 |
| Multivolume ref. works | 22 |
| Sommelier's prefix | 22 |
| Wine lover's study | 22 |
| Port-authority concern | 22 |
| Opposite of 'neath | 22 |
| Lazy poet's above? | 22 |
| Throughout, poetically | 22 |
| PoetÂ’s preposition | 22 |
| Over, to Gray and Pope | 22 |
| Left, on a Spanish map | 22 |
| Artists' lifeworks | 22 |
| ___ piece (consistent) | 22 |
| All - sudden connector | 22 |
| "Son ___..." | 22 |
| "Naturally!" | 22 |
| Not scheduled for duty | 22 |
| Canceled, as a wedding | 22 |
| Beat or shoot preceder | 22 |
| Butcher's discards | 22 |
| Butcher's leavings | 22 |
| Figure for negotiation | 22 |
| Home's counterpart | 22 |
| Workplace gambling pot | 22 |
| Light-switch positions | 22 |
| Play-___ (tiebreakers) | 22 |
| Takes out, so to speak | 22 |
| Slays, syndicate-style | 22 |
| Dispatches, gang-style | 22 |
| Summer, at ski resorts | 22 |
| The long and short ___ | 22 |
| Worthy ___ (important) | 22 |
| -- mind (in agreement) | 22 |
| Frequently, poetically | 22 |
| Many times, poetically | 22 |
| Frequently, to Shelley | 22 |
| Frequently, to Freneau | 22 |
| Frequently, literarily | 22 |
| Frequently, in sonnets | 22 |
| Frequently poetically | 22 |
| Consistently, in verse | 22 |
| Commonly, to Coleridge | 22 |
| All the time, long ago | 22 |
| More than occasionally | 22 |
| Worth keeping, perhaps | 22 |
| City near Brigham City | 22 |
| Whence Donny and Marie | 22 |
| Author featured herein | 22 |
| Convex/concave molding | 22 |
| Architectural moldings | 22 |
| Ancient Irish alphabet | 22 |
| Dakota Native American | 22 |
| Check out, so to speak | 22 |
| Stare at flirtatiously | 22 |
| Kind of silent come-on | 22 |
| Eye with ideas in mind | 22 |
| Charles of the silents | 22 |
| Appreciate cheesecake? | 22 |
| Take in the wrong way? | 22 |
| Stare without subtlety | 22 |
| Stare as a satyr would | 22 |
| Eye from top to bottom | 22 |
| Emulate a girl-watcher | 22 |
| Looked at lasciviously | 22 |
| Checked out the chicks | 22 |
| Checked out pruriently | 22 |
| Lusted after, visually | 22 |
| Looked at libidinously | 22 |
| Checked out impolitely | 22 |
| One taking a long view | 22 |
| Looks that lookers get | 22 |
| Eyes a little too long | 22 |
| Gets a bod impression? | 22 |
| Obviously checking out | 22 |
| Start of several hymns | 22 |
| Start of an invocation | 22 |
| Princess Fiona, really | 22 |
| Jack's giant, e.g. | 22 |
| Troll's larger kin | 22 |
| The Big Bad Wolf, e.g. | 22 |
| Into the Woods role | 22 |
795601795603795612795634795644795646795730795756795813795822795827795865795888795921795984795993796018796020796031796076796083796148796187796194796225796320796357796371796383796532796568796593796626796631796744796757796782796836796865796866796952796980796996797021797033797041797056797088797102797155797305797337797350797371797389797425797431797432797439797443797444797445797471797513797523797547797603797707797728797757797788797833797873797892797907797913797917797938797942797957798036798046798086798091798092798106798110798130798176798240798251798282798307798316798326798435798439798511798514798568