| Text | Length |
| Parting word à Paris | 23 |
| Lyons "Later" | 23 |
| Farewell to the French? | 23 |
| Bye, somewhere overseas | 23 |
| "Bye," abroad | 23 |
| Versailles valedictions | 23 |
| Farewells, in Francoeur | 23 |
| French farewells (Var.) | 23 |
| Frequent deuce follower | 23 |
| Tennis score, for short | 23 |
| Server's upper hand | 23 |
| Score after a deuce ace | 23 |
| Fernando's farewell | 23 |
| Parting word, somewhere | 23 |
| Spaniard's sign-off | 23 |
| Spaniard's farewell | 23 |
| "Hasta luego" | 23 |
| Ta-ta, below the border | 23 |
| Goodbye, in Guadalajara | 23 |
| Farewell, in San Felipe | 23 |
| Cisco Kid's so long | 23 |
| "Ciao, Charo" | 23 |
| "Ciao, amigo" | 23 |
| "___, amigos" | 23 |
| Take ___ (try the pool) | 23 |
| Take ____: swim briefly | 23 |
| Take ___ (do some laps) | 23 |
| Entrance for extraction | 23 |
| U.M.W. man's access | 23 |
| Comstock entrance, e.g. | 23 |
| Colliers' entryways | 23 |
| Sm., med. and lg., e.g. | 23 |
| He lost to Dwight twice | 23 |
| He lost twice to Dwight | 23 |
| Estes's ticket-mate | 23 |
| Dwight's challenger | 23 |
| Dwight licked him twice | 23 |
| Famed follower of Freud | 23 |
| Damn Yankees lyricist | 23 |
| Deviate from the script | 23 |
| Ignore the teleprompter | 23 |
| Forgo a prepared speech | 23 |
| Toastmaster's skill | 23 |
| Surprise during filming | 23 |
| Eschew the TelePrompTer | 23 |
| Bit of stage creativity | 23 |
| Wits' laugh-getters | 23 |
| Speaks extemporaneously | 23 |
| Nimitz or Halsey: Abbr. | 23 |
| High naval rank (abbr.) | 23 |
| Rickover was one: Abbr. | 23 |
| Nimitz or Nelson: Abbr. | 23 |
| Nelson or Nimitz: abbr. | 23 |
| Halsey or Nimitz: Abbr. | 23 |
| Viral marketing creator | 23 |
| Madison Avenue employee | 23 |
| Huckster, in some cases | 23 |
| Ones quick with a line? | 23 |
| Creators of commercials | 23 |
| Noted Antartic explorer | 23 |
| Look to as a role model | 23 |
| Let through a turnstile | 23 |
| ___ one (ticket phrase) | 23 |
| "Come clean!" | 23 |
| Shows honesty, in a way | 23 |
| Shakespearean commotion | 23 |
| Commotion, to old poets | 23 |
| Much ____ About Nothing | 23 |
| It may be about nothing | 23 |
| Brick of clay and straw | 23 |
| Mexicali building block | 23 |
| Hacienda building block | 23 |
| Building made of bricks | 23 |
| Southwestern structures | 23 |
| Many Southwestern homes | 23 |
| Broadway lyricist Green | 23 |
| Aphrodite's beloved | 23 |
| Epitome of handsomeness | 23 |
| Assume as one's own | 23 |
| Start a family, perhaps | 23 |
| Take in, as a stray cat | 23 |
| Pick up a few pointers? | 23 |
| Give a foundling a home | 23 |
| Appropriate, as an idea | 23 |
| One taken in by another | 23 |
| Swee'Pea, to Popeye | 23 |
| Rescue dog, for example | 23 |
| Member of some families | 23 |
| Orphan's new parent | 23 |
| Love a rocker to pieces | 23 |
| Have a serious crush on | 23 |
| Thought a great deal of | 23 |
| Renée of the silents | 23 |
| Can't get enough of | 23 |
| Decorate with ornaments | 23 |
| Put up some decorations | 23 |
| Deck the halls, perhaps | 23 |
| Classified information? | 23 |
| Charge for a commercial | 23 |
| Norepinephrine producer | 23 |
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