| Using preprogrammed functions | 29 |
| Using a non-manual setting | 26 |
| Proceeding without thinking | 27 |
| Acting without thinking | 23 |
| Stopping by to say hello | 24 |
| Just for the fun of it | 22 |
| Where D.H.'s hope to be | 27 |
| Waiting to score, hopefully | 27 |
| Waiting to be brought home | 26 |
| Safely at first or second | 25 |
| Preparing to steal, perhaps | 27 |
| Positioned to score, perhaps | 28 |
| In scoring position, perhaps | 28 |
| In scoring position, maybe | 26 |
| In a position to steal | 22 |
| Homeward-bound, possibly | 24 |
| Holding the bag at Shea | 23 |
| Having just hit a double, say | 29 |
| Having just gotten a hit | 24 |
| Contemplating stealing, maybe | 29 |
| At third, for instance | 22 |
| At first, second or third | 25 |
| Aboard, at the stadium | 22 |
| 90 feet from home, say | 22 |
| Passenger's status | 22 |
| Participating in a group | 24 |
| In agreement with the group | 27 |
| Temporarily punched out | 23 |
| Available when summoned | 23 |
| Available, as a doctor | 22 |
| Standing by in readiness | 24 |
| Ready in case of an emergency | 29 |
| Ready for an emergency | 22 |
| Prepared to be summoned | 23 |
| Like surgeons, sometimes | 24 |
| Like some beeper carriers | 25 |
| Like many hospital doctors | 26 |
| Available for emergencies | 25 |
| At home, but available | 22 |
| How much music is recorded | 26 |
| One way to put out an album | 27 |
| One way to back up data | 23 |
| Where some data gets burnt | 26 |
| One way to send out a demo | 26 |
| One way to deliver data | 23 |
| Like some backed-up data | 24 |
| Like much music, today | 22 |
| Like most music sold nowadays | 29 |
| Like many music reissues | 24 |
| Like many backed-up files | 25 |
| How some software is sold | 25 |
| How some files are backed up | 28 |
| How music is often sold | 23 |
| How much music is sold | 22 |
| How most albums are released | 28 |
| How many backups are done | 25 |
| How LPs are rereleased | 22 |
| How albums may be stored | 24 |
| Burned, in a high-tech way | 26 |
| Never before and never again | 28 |
| Twice removed from thrice | 25 |
| Second word of many limericks | 29 |
| Less than occasionally | 22 |
| Start of a bedtime story | 24 |
| "The Raven" start | 27 |
| "The Raven" opener | 28 |
| Tony-winning musical of 2012 | 28 |
| Start of many Grimm tales | 25 |
| It's enough for some | 24 |
| It may never be enough | 22 |
| First word of a fairy tale | 26 |
| Fairy tale's first word | 27 |
| At some previous point | 22 |
| "The Raven" opening | 29 |
| "___ bitten . . . " | 29 |
| Twice less than thrice | 22 |
| Start of many fairy tales | 25 |
| Start of a Susann title | 23 |
| It's sometimes enough | 25 |
| How some cousins are removed? | 29 |
| First word in a fairy tale | 26 |
| Fairy tale's opening word | 29 |
| Common fairy-tale opener | 24 |
| Between twice and never | 23 |
| "___ upon a time" | 27 |
| ___-over (cursory glance) | 25 |
| When the time comes that | 24 |
| Tots' story starter | 23 |
| This is usually enough | 22 |
| Start of a Grimm story | 22 |
| Sometimes it's enough | 25 |
| Some say it's not enough | 28 |
| Second word of a limerick | 25 |
| Second word in many limericks | 29 |
| Opportunity's frequency | 27 |
| It's enough, for some | 25 |
| It may be enough for some | 25 |
| How often are you young? | 24 |
| How coffee filters are used | 27 |
| Give it a ___-over (scan) | 25 |