| Edmonton's N.H.L. team | 26 |
| Edmonton's hockey team | 26 |
| Defunct pro football team | 25 |
| Avalanche counterforce | 22 |
| 1990 Stanley Cup champs | 23 |
| Thing with a pressure point? | 28 |
| Auto dashboard indicator | 24 |
| More suspiciously suave | 23 |
| Superlatively smooth-tongued | 28 |
| Most covered in grease | 22 |
| Old indoor light source | 23 |
| Like some old-fashioned lamps | 29 |
| Like some thrift store lamps | 28 |
| Like some quaint lamps | 22 |
| Like many old-fashioned lamps | 29 |
| Like many old lanterns | 22 |
| T. Boone Pickens, for one | 25 |
| John D. Rockefeller, for one | 28 |
| "Texas tea" tycoon | 28 |
| J. Paul Getty and others | 24 |
| Some Texan V.I.P.'s | 23 |
| They're put on canvases | 27 |
| Bottom of the crankcase | 23 |
| Like Saudi Arabia, e.g. | 23 |
| Like some Mideast nations | 25 |
| Like Saudi Arabia and Russia | 28 |
| Offshore site, sometimes | 24 |
| Gulf of Mexico structure | 24 |
| Deepwater Horizon, for one | 26 |
| Well-drilling structure | 23 |
| Well-drilling equipment | 23 |
| Offshore eyesore, to some | 25 |
| It's well-positioned | 24 |
| Greenpeace target, at times | 27 |
| They drill for black gold | 25 |
| Alternative to watercolors | 26 |
| Reduces friction, in a way | 26 |
| Motor or mineral, for two | 25 |
| Makes less squeaky, perhaps | 27 |
| Alternative to acrylics | 23 |
| Works in an art museum | 22 |
| Works in a studio, say | 22 |
| Works at the National Gallery | 29 |
| Whale and corn products | 23 |
| Watercolor alternatives | 23 |
| They may be seen with busts | 27 |
| They build up in pores | 22 |
| Sesame and peanut extractions | 29 |
| Removes a bicycle squeak | 24 |
| Rembrandt's supply | 22 |
| Provides machine maintenance | 28 |
| Portraitists' purchases | 27 |
| Portraitists' buys | 22 |
| Portraitist's medium | 24 |
| Peanut and banana products | 26 |
| Painter's supplies | 22 |
| Olive, vegetable and corn | 25 |
| Olive and palm, for two | 23 |
| Olive and linseed products | 26 |
| Olive and corn, for two | 23 |
| Media for Michelangelo | 22 |
| Matisse worked with them | 24 |
| Masseuse's supplies | 23 |
| Masseur's supplies | 22 |
| Masseur's selection | 23 |
| Massage therapist's stock | 29 |
| Many impressionist works | 24 |
| Edward Hopper's medium | 26 |
| De-squeaks the Tin Man | 22 |
| Canola and peanut, e.g. | 23 |
| Artist's media, perhaps | 27 |
| "Essential" things | 28 |
| Sedimentary fuel source | 23 |
| Ceramist's ___ glaze | 24 |
| Like garage floors, often | 25 |
| Like mechanics' hands | 25 |
| Like service station rags | 25 |
| Word on some shampoo bottles | 28 |
| Opposite of dry, as hair | 24 |
| Like a service station floor | 28 |
| Like a mechanic's rag | 25 |
| Sea condition, at times | 23 |
| Opposite of dry, as skin | 24 |
| Like unwashed hair, maybe | 25 |
| Like some hair applications | 27 |
| Like some garage floors | 23 |
| Like some Calif. shores | 23 |
| Like seas after some spills | 27 |
| Like olives or peanuts | 22 |
| Like a mechanic's rags | 26 |
| Like a mechanic's hands | 27 |
| Like a garage floor, say | 24 |
| Like a dipstick, sometimes | 26 |
| In need of a shampoo, say | 25 |
| Heavily maintained, as hair | 27 |
| Ambassador from the Holy See | 28 |
| Start of a Danny Elfman band | 28 |
| New Wave band __ Boingo | 23 |
| Half a Danny Elfman band | 24 |
| New Wave band ___ Boingo | 24 |