| When you might get a lei in Hawaii | 34 |
| "Walk ---" (Warwick hit) | 34 |
| Like celebrities, much of the time | 34 |
| Being interviewed by a TV reporter | 34 |
| Piano teacher's request, maybe | 34 |
| ___ often (repeatedly, to a fault) | 34 |
| China's approximate population | 34 |
| From ___ to the other (throughout) | 34 |
| They might be wild in a poker game | 34 |
| Beck: "___ in the Grave" | 34 |
| Sonja Henie's debut film, 1936 | 34 |
| Radio's "___ Family" | 34 |
| Uruguayan novelist Juan Carlos ___ | 34 |
| A pint, typically, at a blood bank | 34 |
| Skilled at spontaneous combustion? | 34 |
| In custody of, as a library patron | 34 |
| Smithereens "___ Memory" | 34 |
| Eloise of Kay Thompson books, e.g. | 34 |
| Tony-nominated choreographer White | 34 |
| Where "Masterpiece" airs | 34 |
| "Hop __": Dr. Seuss book | 34 |
| When right turns are often allowed | 34 |
| Unobtrusive, as a ringtone setting | 34 |
| Instruction at the location itself | 34 |
| "... shed His grace ___" | 34 |
| Doing very well with little effort | 34 |
| Influential Darwin work in Salem?, | 34 |
| Like a gemologist's bar order? | 34 |
| Spiegel film that won eight Oscars | 34 |
| How to proceed through a tulip bed | 34 |
| Fictional caveman's fantasies? | 34 |
| Most likely to seep through cracks | 34 |
| One side of a bilingual store sign | 34 |
| Result of arson at a tennis event? | 34 |
| Chess player's starting tactic | 34 |
| Event for testing out new material | 34 |
| Create a whole new set of problems | 34 |
| Where you'll never be in a jam | 34 |
| Aptly-named precursor to Wikipedia | 34 |
| One who thinks snakes are charming | 34 |
| Portugal's second-largest city | 34 |
| Portugal's second-biggest city | 34 |
| Feature of opossums' hind feet | 34 |
| Transformer who leads the Autobots | 34 |
| Times for speaking one's mind? | 34 |
| Fruit quaff that may be carbonated | 34 |
| Out-of-tune playing of a symphony? | 34 |
| Virgil's god of the underworld | 34 |
| Mythological God of the underworld | 34 |
| At the restaurant Mr. Ridder _____ | 34 |
| Fruit arranged by a mathematician? | 34 |
| ____ People, 1980 Sutherland movie | 34 |
| Former venue for the Orlando Magic | 34 |
| "Whether near to me ___" | 34 |
| Man with a monkey, stereotypically | 34 |
| Instrument for acquiring knowledge | 34 |
| Almond-and-orange-flower flavoring | 34 |
| Partner of Connecticut and Vermont | 34 |
| Sport involving maps and compasses | 34 |
| The Who's "Baba ___" | 34 |
| Ball team's after-bath splash? | 34 |
| Pest control name in a red diamond | 34 |
| "It's Now ___": 1960 | 34 |
| Start of Juliet's balcony plea | 34 |
| Mideast river to the Mediterranean | 34 |
| "Oliver!" chorus members | 34 |
| Dead ___ (Cockney slang for sauce) | 34 |
| ". . . chicken ___ egg?" | 34 |
| Old World bird eaten as a delicacy | 34 |
| First name in gourmet popping corn | 34 |
| Author George's autobiography? | 34 |
| What a good picture might generate | 34 |
| "Sail on, ___ of State!" | 34 |
| Subject of 1993's Best Picture | 34 |
| Canadian physician Sir William ___ | 34 |
| 5 hrs. before noon, in the service | 34 |
| Maureen of "Tarzan" fame | 34 |
| Alternative way to get directions? | 34 |
| Colette opus, with "The" | 34 |
| Transportation via highway (Abbr.) | 34 |
| Paul Anka or Dan Aykroyd, by birth | 34 |
| Super Bowl XXV M.V.P. ___ Anderson | 34 |
| Footstools that often match chairs | 34 |
| Instrument in Middle Eastern music | 34 |
| Garçon's polite affirmative | 34 |
| "Indubitably, monsieur!" | 34 |
| Young couple's lament (Part 2) | 34 |
| Words in a James Coburn film title | 34 |
| Start of a James Coburn film title | 34 |
| Like trains heading to the suburbs | 34 |
| Awards rarely won by agoraphobics? | 34 |
| Where to catch the sound of music? | 34 |
| Pluto, e.g., before it was plutoed | 34 |
| "We're on the patio" | 34 |
| With many on the street, as police | 34 |
| Walk farther than, in a procession | 34 |
| Whence rock 'n' roll came? | 34 |
| Sega racing classic with a Ferrari | 34 |
| ___ lunch (note on an office door) | 34 |
| They bring audiences to their feet | 34 |