| With tartness | 13 |
| With teeth on edge | 18 |
| With temerity | 13 |
| With tenderness | 15 |
| With tenderness: Mus. dir. | 26 |
| With test tubes | 15 |
| With the appropriate musical tempo | 34 |
| With the beat | 13 |
| With the bow | 12 |
| With the bow in music | 22 |
| With the bow musically | 23 |
| With the bow, in music | 22 |
| With the bow, in scores | 23 |
| With the bow, in violin music | 29 |
| With the bow, musically | 23 |
| With the bow, to a cellist | 26 |
| With the bow, to a violinist | 28 |
| With the bow, to a violist | 26 |
| With the bow, to Brahms | 23 |
| With the bow, to Isaac Stern | 28 |
| With the bow, to Muti | 21 |
| With the bow, to violinists | 27 |
| With the circled letters, 1955 Bill Haley and His Comets hit? | 61 |
| With the concession that | 24 |
| With the current | 16 |
| With the Elders, the accusers | 29 |
| With the enemy, perhaps | 23 |
| With the exception of | 21 |
| With the exception of that | 26 |
| With the fleet | 14 |
| With the greatest of --- | 24 |
| With the greatest of ___ | 24 |
| With the greatest of ____ | 25 |
| With the group | 14 |
| With the help of | 16 |
| With the help of another | 24 |
| With the intent | 15 |
| With the landlubbers | 20 |
| With the latest info | 20 |
| With the least crime | 20 |
| With the least delay | 20 |
| With the least forethought | 26 |
| With the least hair | 19 |
| With the least thought | 22 |
| With the most breadth | 21 |
| With the most lather | 20 |
| With the most life experience | 29 |
| With the most marbles | 21 |
| With the most nerve | 19 |
| With the most open windows | 26 |
| With the most space | 19 |
| With the mouth | 14 |
| With the mouth wide open | 24 |
| With the mouth wide open in shock | 33 |
| With the order switched | 23 |
| With the pedal to the floor | 27 |
| With the power | 14 |
| With the program | 16 |
| With the purpose | 16 |
| With the result | 15 |
| With the result being | 21 |
| With the result of | 18 |
| With the same amount one started with | 37 |
| With the same legal standing | 28 |
| With the same score | 19 |
| With the sheets left rumpled | 28 |
| With the situation thus | 23 |
| With the sound off | 18 |
| With the speaking voice | 23 |
| With the stroke of -- | 21 |
| With the stroke of __ | 21 |
| With the stroke of ___ | 22 |
| With the stroke of ____ | 23 |
| With the switch on "off" | 34 |
| With the thickest coat | 22 |
| With the title to | 17 |
| With the utmost care | 20 |
| With the volume on 10 | 21 |
| With the wherewithal | 20 |
| With the whole orchestra playing, in scores | 43 |
| With the works, perhaps | 23 |
| With the worst consequences | 27 |
| With this words on a crate | 27 |
| With this, you could manage | 27 |
| With this, you'll probably manage | 37 |
| With time running out | 21 |
| With time to kill | 17 |
| With time to spare | 18 |
| With timidity | 13 |
| With title to | 13 |
| With TLC | 8 |
| With tongue in cheek | 20 |
| With too much aplomb | 20 |
| With too much effusiveness | 26 |
| With too much lip | 17 |
| With too much mouth | 19 |
| With too much on one's plate | 32 |
| With total abandon | 18 |
| With total attention | 20 |
| With trumpets ablare | 20 |